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In the fifteenth through seventeenth centuries, for example, Muscovite Russia traded extensively with the Nogais and other nomads in the southern steppes who provided on a regular basis tens of thousands of horses for the Muscovite armies. Horses were important commodities on the trade routes connecting Central Asia to northern India via Afghanistan, because, like central China, India was unsuited to raising quality horses for military purposes.
The great Mughal rulers of the sixteenth and seventeenth centuries appreciated this as did the British in the nineteenth century. William Moorcroft, who became famous as one of the rare Europeans to reach Bukhara in the early nineteenth century, justified his dangerous trip north from India by his effort to establish a reliable supply of cavalry mounts for the British Indian army. Important as horses were, the camel was arguably of far greater significance in the history of the Silk Road.
Domesticated as long ago as the fourth millennium BCE, by the first millennium BCE camels were prominently depicted on Assyrian and Achaemenid Persian carved reliefs and figured in Biblical texts as indicators of wealth. Among the most famous depictions are those in the ruins of Persepolis, where both of the main camel species--the one-humped dromedary of Western Asia and the two-humped Bactrian of Eastern Asia--are represented in the processions of those bearing tribute to the Persian king.
In China awareness of the value of the camel was heightened by the interactions between the Han and the Xiongnu toward the end of the first millennium BCE when camels were listed among the animals taken captive on military campaigns or sent as diplomatic gifts or objects of trade in exchange for Chinese silk. Campaigns of the Chinese army to the north and west against the nomads invariably required support by large trains of camels to carry supplies.
With the rise of Islam in the seventh century CE, the success of Arab armies in rapidly carving out an empire in the Middle East was due to a considerable degree to their use of camels as cavalry mounts. The camel's great virtues include the ability to carry substantial loads pounds--and their well-known capacity for surviving in arid conditions.
The secret to the camel's ability to go for days without drinking is in its efficient conservation and processing of fluids it does not store water in its hump[s], which in fact are largely fat. Camels can maintain their carrying capacity over long distances in dry conditions, eating scrub and thorn bushes. When they drink though, they may consume 25 gallons at a time; so caravan routes do have to include rivers or wells at regular intervals.
The use of the camel as the dominant means of transporting goods over much of Inner Asia is in part a matter of economic efficiency--as Richard Bulliet has argued, camels are cost efficient compared to the use of carts requiring the maintenance of roads and the kind of support network that would be required for other transport animals.
In some areas though down into modern times, camels continue to be used as draft animals, pulling plows and hitched to carts. Given their importance in the lives of peoples across inner Asia, not surprisingly camels and horses figure in literature and the visual arts. A Japanese TV crew filming a series on the Silk Road in the s was entertained by camel herders in the Syrian desert singing a love ballad about camels. Camels frequently appear in early Chinese poetry, often in a metaphorical sense.
Arab poetry and the oral epics of Turkic peoples in Central Asia often celebrate the horse. Visual representations of the horse and camel may celebrate them as essential to the functions and status of royalty. Textiles woven by and for the nomads using the wool from their flocks often include images of these animals. One of the most famous examples is from a royal tomb in southern Siberia and dates back more than years.
It is possible that the mounted riders on it were influenced by images such as those in the reliefs at Persepolis where the animals depicted were involved in royal processions and the presentation of tribute. The royal art of the Sasanians 3rd-7th century in Persia includes elegant metal plates, among them ones showing the ruler hunting from camelback.
A famous ewer fashioned in the Sogdian regions of Central Asia at the end of the Sasanian period shows a flying camel, the image of which may have inspired a later Chinese report of flying camels being found in the mountains of the Western Regions.
Examples in the visual arts of China are numerous. Beginning in the Han Dynasty, grave goods often include these animals among the mingqi, the sculptural representations of those who were seen as providing for the deceased in the afterlife. The best known of the mingqi are those from the T'ang period, ceramics often decorated in multicolored glaze sancai.
While the figures themselves may be relatively small the largest ones normally not exceeding between two and three feet in height the images suggest animals with "attitude"--the horses have heroic proportions, and they and the camels often seem to be vocally challenging the world around them perhaps here the "crying camels" of the poet quoted above. A recent study of the camel mingqi indicates that in the T'ang period the often detailed representation of their loads may represent not so much the reality of transport along the Silk Road but rather the transport of goods including food specific to beliefs of what the deceased would need in the afterlife.
Some of these camels transport orchestras of musicians from the Western Regions; other mingqi frequently portray the non-Chinese musicians and dancers who were popular among the T'ang elite. Among the most interesting of the mingqi are sculptures of women playing polo, a game which was imported into China from the Middle East. The 8th-9th century graves at Astana on the Northern Silk Road contained a wide range of mounted figures--women riding astride, soldiers in their armor, and horsemen identifiable by their headgear and facial features as being from the local population.
It is significant that the human attendants grooms, caravaneers of the animal figures among the mingqi usually are foreigners, not Chinese. Along with the animals, the Chinese imported the expert animal trainers; the caravans invariably were led by bearded westerners wearing conical hats. Apart from the well-known scuptures, the images of horse and camel in China also include paintings. Narrative scenes in the Buddhist murals of the caves in Western China often represent merchants and travelers in the first instance by virtue of their being accompanied by camel caravans.
Among the paintings on paper found in the famous sealed library at Dunhuang are evocatively stylized images of camels drawn with, to the modern eye, a sense of humor. The Chinese tradition of silk scroll painting includes many images of foreign ambassadors or rulers of China with their horses. Beckwith, Christopher I. Do you struggle to find your starting point? Do you struggle to keep your lines from bending? Do your pictures look wrong, no matter how hard you try?
Veterans, like beginners, can easily have a hard time when they do not practice, but drawing can be easily learned or remastered through practice. Remember, no two drawings are the same even when done by the same artist. So, are you ready to give it a try and show your inner artist? Looking for shapes and lines Our world is made of shapes, and so, you can find them anywhere.
Step 1: We start by drawing three circles to represent the main body. The circles will slightly overlap each other and go higher as you draw them. The top one is twice as big as the bottom one and at around the same height as the highest of the first three circles. Step 3: Draw lines to outline the legs. On top of the lines, draw circles: one at the beginning, the middle where the knee would be, and at the end of the leg connecting them all with lines. Notice that for the hind legs back legs , since the horse is jumping we just make a long circle.
Step 4: Form the head by connecting its two circles with a line. Next, connect the head to the lowest circle of the body with arched lines. Step 5: Draw an oval on top of the head as a guide to draw the ears. Then, form the back of the horse with arched lines. Outlining the Horse At this stage, you have laid most of the groundwork. Moreso, the lines serve as a guide. In the same way, outlining does not mean limiting yourself to straight lines, but using curved and dotted lines where they can shine their best.
Step 6: Start by outlining the head and the legs with a pen.
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I was born in Wisconsin. My horse parents are from Iceland. If anyone gets out of line on my farm, I will correct them. If I see anything weird, then I call for my brother Soti. I was the first horse in our family. More about me here. I was born in Iowa, and both of my horse parents were born in Iceland and then imported to the US.
I like everyone, especially Glytja. I would do anything for my sisters, except share my grain. When a strange animal approaches one of my sisters, I will get in the middle and protect them. I even get along with bison. I love campfires and pancakes. Oh, and watermelon.
I love making new friends. I was born in Indiana, both of my parents were imported from Iceland. I know how to unlock doors and let everyone out. There are some who believe that is the better choice; I am not one of them. Retreat is not the answer; it won't make the world a safer place, and it's just not in our country's DNA.
When faced with setbacks and tragedies, Americans have always worked harder and smarter. We strive to learn from our mistakes and avoid repeating them. And we do not shrink from the challenges ahead. That is what we must continue to do.
Don't turn away in disgust and leave those decisions to someone else. You don't like politics today? Grab the wheel of history and steer us to a better place. Run for office. Be a strategist or policy aide. Work for a government agency or a nonprofit. Become a thoughtful, probing journalist. Get in the arena. Help shape the world in which you're going to live. At a minimum, be the engaged citizen a healthy democracy demands. So maybe it was better to leave a few spots on the map blank.
To let the world keep a little of its magic, rather than forcing it to divulge every last secret. Maybe it was better, now and then, to wonder. I hope I leave the world a better place than it was when I came, and I think the best way I can do that is through acting and writing, and hopefully it will make a difference someday. I would hope that by the time I die I could have learned from the years of living and hand something down. I will not pass away. Every day millions of people pass away - in obituaries, death notices, cards of consolation, e-mails to the corpse's friends - but people don't die.
Sometimes they rest in peace, quit this world, go the way of all flesh, depart, give up the ghost, breathe a last breath, join their dear ones in heaven, meet their Maker, ascend to a better place, succumb surrounded by family, return to the Lord, go home, cross over, or leave this world.
Whatever the fatuous phrase, death usually happens peacefully asleep or after a courageous struggle cancer. Sometimes women lose their husbands. Where the hell did I put him? Some expressions are less common in print: push up the daisies, kick the bucket, croak, buy the farm, cash out. All euphemisms conceal how we gasp and choke turning blue. You cannot rob people of their beliefs and expect them to just accept it.
Even now, I mourn the death of Avanti every day. Even though I now know she was never real. The idea of Avanti was real. Serving Avanti gave me a purpose, I felt she was guiding and encouraging me. Now I have nothing, I am reduced to simply "making it up as I go along". I hate you Brael. I will never forgive you for what you did. You just didn't know it. People need to take responsibility for their actions. There is one person guiding me, and that is me. I will live as long as I can and I will try to leave this world a better place for my presence.
That is enough purpose for all. I'm going to see Daddy. But you are going to help people. You are the helper, Sophelia, the one who will take all the bad and ugly and make it what it was supposed to be in the first place. You will bring this world to its knees one day. Fly away home to a better place where everything is brighter, boys are never lost, and mothers don't ever leave. But right now? Don't mourn me," she whispered. All is as it should be. One day, you will understand.
They want to leave a better place. Try to leave the world a better place because you were here. Lounsbrough I'm a physician. I've been blessed with ideas and resources to use technology to make the world a better place. That's what I would like to leave behind. The world is a large place, my magician had said when I went to him with my woes. You can write and teach wherever you are. You will be read more and heard better, in fact, once you are over there.
To go or not to go? In the long run, it's all very personal, my magician reasoned.
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