Forex 85mm f 1 4
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The 77mm front filter thread matches many of the popular RF lens offerings so it will allow you to swap polarizers or variable ND filters easily. Often this switch is omitted from cheaper lenses but I appreciate that Samyang included it. Having a tactile switch is very handy instead of diving into the menus for manual focus. Overall, this lens feels very durable and rugged. It felt very snappy and easily locked onto subjects. Combined with the Canon R5 or R6, this lens is super quick to grab focus and I almost never miss a shot.
Gone are the days of big clunky lenses that hunt for focus despite their low light performance. I often used the continuous autofocus mode and found that this lens tracked subjects very well. I could move around and reframe while staying locked on to the subject. Combine that with the high ISO performance of the latest Canon RF mount cameras and you have an excellent lens for low light shooting. It feels equally fast to the other native RF mount lenses I use. This lens also has character to it — something most modern lenses are missing.
I really appreciate that Samyang made a departure from this formulaic approach. The distortion is very low, at 0. The vignetting is also a very pleasant surprise, which pays off in a beautiful bokeh in the corners. Bright lenses in general have considerable trouble with vignetting at full aperture, but about two-thirds of a stop at full aperture is very good. The sharpness at full aperture is already very good. There is little shift from the center to the corners. Even at this aperture, the decrease in sharpness to the corners is limited.
Chromatic aberrations is also practically absent. That gives an extra sense of sharpness and ensures a beautifully quiet image. This disappears when you stop down a couple of stops, and it is usual for bright lenses. Only perfectly achromatic lenses are not bothered by this.
Sony claims that they craft aspherical lenses for the GM series that are many times smoother than previously. They call these XA elements. The advantage of this production process should primarily be seen in the bokeh of the lenses. Light points that are out of focus will be shown as balls of light in pictures. With many modern lenses with aspherical lens elements, you see rings in those balls of light.
Really beautiful balls of light are even and round and have a soft edge. The Sony FE 85mm F1. Out-of-focus points of light in the background are, thanks to the lamellae aperture, shown beautifully rounded, and there is little sign of the feared onion rings.
Add in the high sharpness at full aperture, and you really cannot imagine a more perfect portrait lens.
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